Introduction
Continuing my irregular series on the topic of authorship, I've decided to write about the process I find that works for me when I'm putting together a story.
Every author has a different method for writing their stories. Some swear by Scriviner, but personally, I don't find that I need anything more than a blank Google Doc.
I can't claim that this methodology will work for you, but I've found that it's helped me to write many novels. First, though, let's ask one of the most important questions -
What kind of an author are you?
Do you like writing to an outline, or are you fond of discovery writing (so-called 'pantsing')?
Both approaches are totally valid, but they will definitely affect the way you organize your writing. Regardless of which type you prefer, however, I highly recommend that you nail down the main characters in your story before you attempt to do any writing.
Once you have that much, you can decide to either write an outline, or do discovery writing. Lately, I've been taking a hybrid approach, where I start with a fun concept, do some discovery writing, then build an outline based off the ideas I've brainstormed from that writing.
I always get the characters defined up front, though, it helps to guide where things are going!
The Process
1. I start with the germ of a story idea. This is usually a brief paragraph or two that describes the initial concept and ideas I'd like to incorporate. It's kind of like a mission statement. It's important that this contains the end goal for your story - you need to know where your story is headed so that you can plot out its trajectory. You don't want to be discovery writing forever!
2. I then add a section for Characters. I start with the main characters, then add more as necessary. This is where I describe them physically, as well as put down their motivations.
3. At this point, I either write an outline, or do some discovery writing to get a feel for the shape of the story. As I write the story, I add to the outline all my ideas, keeping ahead of where I'm at before I catch up to the outline.
Sometimes, I have to sit down and brainstorm more ideas to make sure that the story can keep going. You can avoid this by doing a more intense session to create a full outline at the beginning.
4. While writing, I copy the characters I'm currently working with below the section I'm writing, along with any outline information I have for the current chapter. This gives me a quick reference to use if I'm forgetting any details.
I delete characters and outline elements once they've been used and are no longer relevant. I add bullet points right below the text I'm working on with any ideas I have for the upcoming parts.
When a chapter is done, I clear out whatever I don't need and bring up any new reference material I need to keep going.
5. Once I start to near the end of the story, I add an Author's Notes and Synopsis sections near the end. The author's notes are optional, but the synopsis is one of the most important parts of a story, as it catches the interest of a reader. I recommend editing the synopsis a couple of times before you release the story.
That's pretty much it! If you'd like to try following this process, I have a template below that you can copy into your document to help you get started!
Full Template
Chapter One
Here is where the body of the story goes. It grows longer the more you write, and it’s usually a good idea to put in more chapters whenever you hit a natural break, as it’s far more difficult to figure out how to break things up later.
Chapter Two
While you’re writing each chapter, I find it best to put the outline for the current section right below where you’re currently writing so that it’s easier to review. I also find it good to copy in the descriptions of the characters you’re currently writing about so that you can refer to them when you’re attempting to describe them.
Random notes for what happens next
Another random note
A few more notes
Copied Chapter Summary
Here I simply copy in the section of the outline referring to the chapter being worked on.
You can review this section of the outline at any time if you get stuck, or put new ideas in here as they come to you while writing
Sometimes, in addition to this, I just use bullet points (like the ones above) to jot down the next ideas I have for the current scene when I finish the day’s writing, or while in the middle of writing if I have good ideas I want to make sure I incorporate.
As I work through each part of the outline (or use up the bullet pointed ideas), I simply delete them, so that by the time I’m done with the chapter, I have a clean slate, and can copy in the next section of the outline for the next chapter.
Copied Character Descriptions
Character A - He’s a bold, brash, hero of uncertain origins. He has certain motivations and a striking pose.
Short, blue hair
Scar on the left cheek
Wearing a military uniform
Bags under his eyes
“This time, villain, it’s your turn to open the bread box!”
Character B - She’s his main squeeze, but she tries to be serious in public.
Mature, sexy
Very well put together
Has a terrible secret that she keeps from him
“Why do villains spend so much time monologuing?”
Characters
Here, I put the full list of characters in the story, similar to the section above, but… with everything. Generally, this is the section I write second when starting a story after jotting down vague plot ideas, because the characters drive everything in the story, so it’s important to get them figured out pretty early on.
Character A
Blah blah
Character B
Blah blah
Outline
The outline is usually the third part that gets written when putting together a new story (unless I'm discovery writing, then it might be the fourth.)
In the first scene, the awesome hero meets with his secret partner.
They plot something cool to happen.
The plan fails and they look bad.
They must figure out how to turn things around.
Another thing happens that confronts our heroes
They must be a force for good and figure out a new plan to defeat their foes.
Story Ideas
This is generally the first section to get written (I just push it towards the end as I add the character and outline sections above). These are the progenitor ideas for the plot - what it is I’m interested in telling a story about. How the story should end.
Once the character and outline sections are written, this section is no longer all that important, but I usually keep it around because it can be interesting to see where a story started, and perhaps some ideas might make their way back into the outline again at a later date. It’s never a bad idea to hold onto unused ideas because there may be an opportunity for recycling, or upcycling, as the case may be.
Author’s Notes
These can be written practically any time during the development process of the story, so it’s easy to stick them near the end of the document, since they’re not really related to the main body of the story.
Synopsis
This also goes near the end of the document. Sometimes, I shove this in before the Author’s Notes, but it doesn’t really matter, as this can be written during or after the main story is finished. Usually, it’s best to wait until you’re at least two thirds done with the story, as the tone can change pretty wildly as you’re writing, which might make anything you create obsolete once you get to the point where you actually need to have this hammered out.
I highly recommend re-reading the synopsis and perhaps rewriting it once the story is complete to make sure that it properly reflects the contents of the story. Most readers are going to use your synopsis as their final decision as to whether your story is worth reading, so it’s definitely worth the effort to get it right.
Story Tracking
I like to track how many words I’ve written for a story each day. This section is not necessary, but it does help to keep you on track with building on and (hopefully) finishing your story!
Inspiration Images
If there’s some images that inspired this tale, sticking them in at the end can be useful so that you can refer to them as your story takes shape.